I experiment often when recording snare drums.
If you want to EQ the snare drum mic, use a very clean equalizer that can
handle very high peak levels without distorting. Since a lot of the snare drum
is heard in the overhead mics, I take the time to make sure the drummer is
using the right snare drum for the song. Thinking that you will just re-trigger
a snare sample replacement later, because the snare drum and the sound you're
getting sucks, is the wrong attitude! Tuning is super important to me and
almost like a guitar, the snare drum must be tightened after each take. You
must start with a good (new?) head and make sure, like all drums, the lugs are
all equally tensioned shows the typical snare drum mic position. I was
lucky with this drummer; he had a space between the two toms enabling me to
sneak in a brand new Shure SM57. The only other place to get a mic in is from
the hi-hat side... not ideal because the drummer will probably hit it.
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