This is where a lot of what is being done is dependent on the type of mixer you have. For example, if you run an analog mixer, you most likely have a semi-parametric EQ. This means you EQ via knobs on each channel with control for gain (amplitude) and the center frequency, however, you can’t control the width of the affected frequencies – the bandwidth. Thus, your EQ adjustments affect a wide range of frequencies at once – like moving a mountain peak back and forth – it means you have to move a lot of the mountain with it.
Some EQ’s allow the user to work on EQ like a surgeon, making freq cuts/boost in very specific ranges. Harsh vocals can be reduced by sweeping over the mid/ high-mid frequencies until you hear the harshest vocal sound. Then you cut (reduce) those frequencies via the EQ. This would be the case with a parametric EQ where you can control the center frequency, the gain/amplitude cut or boosted, and the bandwidth, sometimes known as the Q.
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